In the world of high fashion, price can really get a person down. This was the point of the fashion show given by the Educational Division of the Simplicity Pattern Company in cooperation with the Future Homemakers of America on Nov. 12 in the cafeteria.
Miss Sharon Johnston, Simplicity field representative from New York, narrated as 23 models crossed the stage in fashions from the Fall Simplicity Pattern Book. Before the show, Miss Johnston gave a few hints to models on clothing selections. One of the hints was that the creator of any outfit should select easy-care fabrics. These types of fabrics save on the pocketbook because they last long and look good, Miss Johnston said.
“Sewers should also make their own accessories with leftover material,” Miss Johnston said.
“Lots of Dash … for Little Cash” was the first category. Cathy Hastings modeled the classic look of plaid in a jumper, while Scottye Poe exhibited an olive green skirt set. The Oriental [sic] look in skirt and full shirt was worn by Carolyn Brown. For guys and gals who consider hiking their thing, an easy-to-make duo of green pants, backpack and hat was modeled by Kathy Peeples and Kelly Keith. Felicia Hudson showed a bright red dress that could have been cut to street length or just below the knee.
Giving way to lighter shades of color was the second group of models, “Make the Fashion Scene … Save Long Green.” Rita Montez started off the category with another jumper, a ruffled outfit with a turtleneck sweater underneath. Sharon Winter modeled a walking shorts style, long shorts and lightweight shirt with a newsboys cap. Charlie Gutierrez wore a roomy top with a colorful transfer on the back. An interchangeable due was modeled by Michele Lawrence and Morrojeane Hohmann. Carrie Johnson showed a lightweight pinafore gown that could be a knee-length version if shortened.
Blues are in and the third category, “More Show for Less Dough … When You Sew,” exhibited the cool color style. A scrubbed denim jumper was modeled by Donna Shackelford, followed by Belinda Crowley in a full blue top and knee-length skirt. A matching pair of denim jeans and yoked shirts were modeled by Curtis Warner and Judy Rowan while Robert Clayton showed the denim look in overalls. Next, Saralee Arnold modeled a swingy blue knit dress that was in the ankle-touching style. An easy-fitting peasant blouse with coordinating blue pants was worn by Diane Dahl.
Lavender is becoming a much worn color as the final group, “Save Bread … Sew Instead,” emphasized. Jane Orment again showed the below-the-knee length in a lavender skirt with handbag to match. A shorter jumper style dress was worn by Deeie Hornsbuy. Modeling a lavender jacket and pants suit was Jenda Wilke with Walter Naylor wearing the oatmeal colored version of the same skirt. Terri Tesney was the last model, wearing a light lavender print dress in the new longer length with lace trimming.
Many of the outfits were interchangeable where accessories could be switched.
This article was published in the Dec. 4, 1975 edition of the Shield.
